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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #141 Posted: Tue Nov 24, 2015 10:17 pm 
Honinbo

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Joaz Banbeck wrote:
@Kirby:
If you had to choose btween C8 and C9, do you have any preference?


@black:
C9

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #142 Posted: Tue Nov 24, 2015 10:58 pm 
Judan
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@BLACK:
Kirby wrote:
Joaz Banbeck wrote:
@Kirby:If you had to choose btween C8 and C9, do you have any preference?


C9


OK, if you both were willing to play C9, I could go along with it.

But, if you read my posts in the second half of page 14, I'm finding - much to my surprise - that the seemingly weak C6/D6 stones are not so weak after all.
I'm back to being ambivalent about whether to play left side or right side.


@white: We are still debating. We have no real concensus yet.

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #143 Posted: Wed Nov 25, 2015 12:12 am 
Honinbo

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Joaz Banbeck wrote:
@BLACK:
Kirby wrote:
Joaz Banbeck wrote:
@Kirby:If you had to choose btween C8 and C9, do you have any preference?


C9


OK, if you both were willing to play C9, I could go along with it.

But, if you read my posts in the second half of page 14, I'm finding - much to my surprise - that the seemingly weak C6/D6 stones are not so weak after all.
I'm back to being ambivalent about whether to play left side or right side.


@white: We are still debating. We have no real concensus yet.


@black:
I don't think that C6/D6 are weak either - that's why I'm okay with tenuki, as I gave in my earlier diagram:

Click Here To Show Diagram Code
[go]$$Bcm1
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . 3 . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . B B . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . , . . . . 1 , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


But I don't mind extending from the marked stones, above, either. I think it's a matter of style.

There are many big points in the opening, and since white can't clearly capture the two marked stones in one move, I think tenuki is an option. White gets the opportunity to attack, though, so it's a question of whether our move is bigger than their attack.

I think responding on the left is playable, and I also think playing elsewhere is playable.


@black:
Regarding the C8/C9 thing, I like C9 because I think it's faster, and there is no real pressure on our stones.

If white had the marked stone, I'd be more inclined to be wary of an invasion:
Click Here To Show Diagram Code
[go]$$Bcm1
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . W . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . , . . . . . , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


As it stands, if they want to invade this early in the opening, I think it's fine. In the opening, influence is worth more than cash. As the game gets toward the later stages, cash becomes more important.

So we can afford to give them second line territory if we get a nice wall of influence:

Click Here To Show Diagram Code
[go]$$Wcm1
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . 5 X . . . . . . . . . . . . . . . . |
$$ | . . 3 4 . . . . . . . . . . . . . . . |
$$ | . . 1 2 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . , . . . . . , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


They got some points on their turn, but that's natural. We got influence, too, so that's fine.


@black:
To me, the bottom position looks funky. That's why I slightly prefer playing an extra move in that area. But tenuki from the left seems fine to me.

However, it's true white can put pressure on our stones on the left if we tenuki, so I'm not strongly opposed to playing on the left.

So my preference would be in this order:
1.) P4
2.) C9
3.) O4
4.) C8

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #144 Posted: Wed Nov 25, 2015 2:34 am 
Judan
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@BLACK:
Kirby wrote:
...
So my preference would be in this order:
1.) P4...


That currently is at the top of my list too.

TegaiS, could you consider agreeing to this?

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #145 Posted: Wed Nov 25, 2015 7:13 am 
Lives with ko

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Click Here To Show Diagram Code
[go]$$Bcm1
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . B , . . . |
$$ | . . . O . 0 . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #146 Posted: Wed Nov 25, 2015 9:00 am 
Gosei
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@white
First thoughts: black didn't respond on the left, so I'd like to figure out what aji that leaves. Black's move seems to build some strength on the bottom and threaten to attack the white stone on the bottom right.
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 4 . . . |
$$ | . . . . . . . . . . . . . 2 . . . . . |
$$ | . . . O . . . . . a . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 3 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . b . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . 1 , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


The top is still the biggest open area, we can approach and either slide or make the loose/fast extension to "a". Either way it may encourage black to develop towards our stone around "b", My feeling is that the white stone has a better position than the two black stones on the left, since one stone is by definition easier to sacrifice, and the corner is still semi-open.

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . 3 . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . 4 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Approaching from the right looks pretty nice, but black can easily prevent this by pincering.

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


It's probably a bit early now, but playing on the left side around here looks pretty big to me, a chance to make black over-concentrated or heavy.

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Post #147 Posted: Wed Nov 25, 2015 9:01 am 
Oza

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@white
Click Here To Show Diagram Code
[go]$$Bcm1
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , a . . |
$$ | . . b . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . B , . . . |
$$ | . . . O . 0 . . . X . c . . . X . d . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Do we need to respond on the right? We could possibly consider the attack on the right and an attack on the black stones on the left as miai, in which case I think we should switch to the top. Or, treating them as miai-ish again, we could take whichever of A and B we think is bigger, expecting a reaction on the other side, and switch to the top then. Our stone on the right is certainly lighter than the two black stones on the left, so perhaps that argues for attacking or an exchange, but black's position on the bottom is higher than white's, which argues against it.

If we don't provoke a black reinforcing move on the right, we may be able to aim at C later, or a shoulder hit or other reducing move next to it. On the other hand, a move at D snags the corner AND reinforces the right side group, possibly in sente.

Click Here To Show Diagram Code
[go]$$Wcm12
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 1 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 3 . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . B , . . . |
$$ | . . . O . O . . . X . c . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


If we take the top directly, I think we have to be prepared for a development like this one. Do we have enough aji with R6 and enough of an attack on the left side to make this viable? The upper right is certainly good compensation for a small loss, but I'm not certain. To some degree it depends on whether black would proceed by attacking the right more, or by shoring up the left.

Click Here To Show Diagram Code
[go]$$Wcm12
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . a . . . . . |
$$ | . . . O . . . . . 1 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , 3 . . |
$$ | . . . 2 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


If black chooses to reinforce the left, something like this seems quite possible. It seems playable, particularly if we can advantageously get sente in the upper left to approach the upper right corner. Perhaps we could follow up with A directly to provoke a response and then return to the upper left?

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #148 Posted: Wed Nov 25, 2015 9:16 am 
Oza

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@white
emeraldemon wrote:
First thoughts: black didn't respond on the left, so I'd like to figure out what aji that leaves. Black's move seems to build some strength on the bottom and threaten to attack the white stone on the bottom right.
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 4 . . . |
$$ | . . . . . . . . . . . . . 2 . . . . . |
$$ | . . . O . . . . . a . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 3 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . b . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . 1 , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


The top is still the biggest open area, we can approach and either slide or make the loose/fast extension to "a". Either way it may encourage black to develop towards our stone around "b", My feeling is that the white stone has a better position than the two black stones on the left, since one stone is by definition easier to sacrifice, and the corner is still semi-open.

If white approaches like this, I think black would pincer to prevent a good development on the top. I still don't like the slide into the corner, as I'd rather white set up a moyo that black can't counter with a moyo of his own to use the potential of the star point stone. That way if black responds with B, white's attack on the black stones on the left is a dual purpose move that expands the moyo while pressuring the black stones. In addition, we may want to invade the corner later, depending on how the game develops, instead of sliding in. This makes your A my preferred move for white on the top.
Quote:
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . 3 . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . 4 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Approaching from the right looks pretty nice, but black can easily prevent this by pincering.

This is why I don't want to approach from the right. Additionally, white's right side stone is low while the upper left corner is high, so white has more potential on the top than on the right. My thinking with just taking the upper star point is that black can't pincer it, and poking at it with a corner enclosure would be slow this early.
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . 6 . . . . . . . 3 . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 5 . . . . . . . . . . . . . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 7 . . . . . , . . . . . 4 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

Additionally, if black follows up like this, Black's left feels better than white's right, and black's bottom feels better than white's bottom, so I think white has fallen behind in the balance. Any white pincer on the left is subject to black jumping out and then playing a counter-pincer, and with black's upper right, the top has become a lot smaller.
Quote:
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


It's probably a bit early now, but playing on the left side around here looks pretty big to me, a chance to make black over-concentrated or heavy.

I'm leaning away from this last one because...
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 2 . a . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . b . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I feel black has both A and B here to handle the situation well. White also has to think about black's counter-pincer later. Perhaps approaching on the fourth line would be better, if we choose this route? I'd also be happy to be one space farther, since it still cramps black's extension and has a good relationship with the upper left. It is a bit easier on black, though, so if we do that right away, I might expect tenuki.

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Post #149 Posted: Wed Nov 25, 2015 9:50 am 
Dies in gote

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@white
I like the idea of K16
Playing for the stone on the right is a bit slow and we can always either slide into the corner or create a base on the side
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . a . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . b . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

attacking the left side looks a bit early,we might even call it a thank you move.
Now black can either counter attack on the left or pressure our stone around c later in order to build potential
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . 2 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . c . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . 3 . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

If they will approach hoshi after K16 then we can pincer and start a fight.
For example
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 4 . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I think that blacks move at p4 is a bit slow,something like r3 might have been more active and therefore we don't really need to play for our stone yet

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Post #150 Posted: Wed Nov 25, 2015 10:12 am 
Oza

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andreyl wrote:
@white
I like the idea of K16
Playing for the stone on the right is a bit slow and we can always either slide into the corner or create a base on the side
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . a . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . b . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

attacking the left side looks a bit early,we might even call it a thank you move.
Now black can either counter attack on the left or pressure our stone around c later in order to build potential
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . 2 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . c . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . 3 . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

If they will approach hoshi after K16 then we can pincer and start a fight.
For example
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 4 . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I think that blacks move at p4 is a bit slow,something like r3 might have been more active and therefore we don't really need to play for our stone yet

@white
I'm ready to play the upper star point if everyone else is.

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #151 Posted: Wed Nov 25, 2015 11:41 am 
Gosei
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@white
I like K16, I guess my only concern is that if black finishes the left it may feel like a missed opportunity.
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Do we have good followup options if black plays this way?


edit:
My diagram is close to this diagram from skydyr:
Click Here To Show Diagram Code
[go]$$Wcm12
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . a . . . . . |
$$ | . . . O . . . . . 1 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , 3 . . |
$$ | . . . 2 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I think this is playable, but it does require us getting some good use out of K16, maybe with some pressure towards the top right since we have moves on both sides.

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Post #152 Posted: Wed Nov 25, 2015 12:16 pm 
Oza

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emeraldemon wrote:
@white
I like K16, I guess my only concern is that if black finishes the left it may feel like a missed opportunity.
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Do we have good followup options if black plays this way?


edit:
My diagram is close to this diagram from skydyr:
Click Here To Show Diagram Code
[go]$$Wcm12
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . a . . . . . |
$$ | . . . O . . . . . 1 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , 3 . . |
$$ | . . . 2 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I think this is playable, but it does require us getting some good use out of K16, maybe with some pressure towards the top right since we have moves on both sides.


@white
If black plays :b2: low in your diagram, I'm not worried, as white can reduce the side easily. If it's high, we could come out as in the diagram you reposted, or maybe we could get away with a forcing move on the 3rd line on the left to disrupt black's plans and then continue with it. There's still a fair amount of space between the high stone and the approach move, so I think black will have to end in gote or leave a big invasion for later. I guess the question is whether black would treat the approach to the top right as sente.

If it were me, I'd be reluctant to have to respond to the approach, but the double approach is much more severe for black than if black does it on the other side, due to the presence of the white stones nearby.

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Post #153 Posted: Wed Nov 25, 2015 4:01 pm 
Gosei
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DGS: smaragdaemon
OGS: emeraldemon
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 2 . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #154 Posted: Wed Nov 25, 2015 4:21 pm 
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@black:

I think we should play on the left side. Maybe one of these:

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I don't really know which one is best. But left side seems important.

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #155 Posted: Wed Nov 25, 2015 5:44 pm 
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@Black
I agree that the left is the most important. My order of preferences is
1) C9
2) C14
3) D14
4) C13
5) C8

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #156 Posted: Wed Nov 25, 2015 6:14 pm 
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TegaiS wrote:
@Black
I agree that the left is the most important. My order of preferences is
1) C9
2) C14
3) D14
4) C13
5) C8


@black:
C9 looks appealing. In the event that black responds as follows...
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . W . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


should we simply respond?

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . C . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . X . B . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . W . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I suppose it might be fine, since the corner is still open at the marked area. And if white plays another move in the top left area, we could attack the marked white stone.

Maybe we could even put a bit more pressure:
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . , B . . . . , . . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


@black:
Also, there's the possibility that white moves to the right. For example:
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . W . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


In this case, I'm trying to think of our next move. It seems a bit awkward and low to approach the top left, since the marked stones are low:

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . B . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I guess we could go directly for the corner in this case:
Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


@black:
I guess what I'm trying to say is that I like C9 alright immediately, but I'm not 100% sure of our best options after white plays these types of follow ups.

What do you think of the positions here?

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #157 Posted: Wed Nov 25, 2015 6:57 pm 
Judan
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@Black:
TegaiS wrote:
I agree that the left is the most important. My order of preferences is
1) C9
2) C14
3) D14
4) C13
5) C8...


I think that white made a mistake: they should play top side, as it is large, but the left side is rather unstable. I think that they should have played F17.

They could have made any aggressive play by us look like an overplay.

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . W . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . 3 . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


But now they have a gap at F16/F17.

I think that now is a perfect time to play C14:

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . a . . . W . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


And if we don't play it we may be leaving them the opportunity to make a double wing formation in the upper left.

My order of preferences is:
1) C14
2) C14
3) C14
4) D14

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #158 Posted: Wed Nov 25, 2015 7:03 pm 
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Tygem: 커비라고해
Joaz Banbeck wrote:
@Black:
TegaiS wrote:
I agree that the left is the most important. My order of preferences is
1) C9
2) C14
3) D14
4) C13
5) C8...


I think that white made a mistake: they should play top side, as it is large, but the left side is rather unstable. I think that they should have played F17.

They could have made any aggressive play by us look like an overplay.

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . W . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . 3 . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


But now they have a gap at F16/F17.

I think that now is a perfect time to play C14:

Click Here To Show Diagram Code
[go]$$Bcm11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . a . . . W . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . X , . . . |
$$ | . . . O . O . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


And if we don't play it we may be leaving them the opportunity to make a double wing formation in the upper left.

My order of preferences is:
1) C14
2) C14
3) C14
4) D14


@black:
Convincing argument. I like C14 best.

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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #159 Posted: Wed Nov 25, 2015 7:10 pm 
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 Post subject: Re: Capital vs. Lowercase: Collaboration Game
Post #160 Posted: Wed Nov 25, 2015 7:17 pm 
Oza

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@white
I know andreyl suggested the two space high pincer, which looks reasonable to me, but do we want to consider the one-space high pincer too? I'm a bit worried about giving black an ideal counterpincer-cum-extension from the two stones and would like it to leave black either thin or overconcentrated.

Jumping in the corner in response for black would be bad, as we could then lock up the top side very solidly. The question is if we would come out well in the fight if black jumps out or switches direction on us.

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