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 Post subject: Re: Big Brother Malkovich #2
Post #21 Posted: Tue Jun 08, 2010 8:04 am 
Judan
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Lots of pro games have started this way, so I approve.

Another thought about strategy: If the opponents get several corrections behind, it makes sense for me to start the most complicated fight that I can find. If I can force their big brother to step in and use them all, then for the next several moves it will be 1D vs 6K.

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 Post subject: Re: Big Brother Malkovich #2
Post #22 Posted: Tue Jun 08, 2010 8:44 am 
Gosei
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Click Here To Show Diagram Code
[go]$$Bc Move 3 - Prisoners: B=0, W=0
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . W , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Like I've said before, I don't like taking the open corner here, it seems too passive. This approach seems better, and I've played it before (or similar). Since I never can memorize fuseki patterns completely, I go mostly by faulty memory and intuition here.

If black takes the other corner I plan on enclosing the corner, or approaching the other semi-open corner first. I lean towards enclosing first, however.

If black replies in the corner, I usually leave the joseki unfinished to take the corner, and deal with the cut later.
Click Here To Show Diagram Code
[go]$$Bc Unfinished joseki
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . 6 2 1 3 . . . |
$$ | . . . 4 . . . . . , . . . 5 W , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I've seen a lot of moves for 7 here from my opponents, but none of them seemed like an absolute proof that leaving the joseki unfinished is a mistake.

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 Post subject: Re: Big Brother Malkovich #2
Post #23 Posted: Tue Jun 08, 2010 8:53 am 
Tengen
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Approved.

For comments, see my last move. Let's have some fun with the approach.

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 Post subject: Re: Big Brother Malkovich #2
Post #24 Posted: Tue Jun 08, 2010 9:22 am 
Lives in sente
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Click Here To Show Diagram Code
[go]$$Bc Move 5 - Prisoners: B=0, W=0
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . B . . . . . , . . . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Change Count: B - 10, W - 10

Thats interesting...looks like White really wants to prevent my fuseki. However, I usually see white having the top left corner like in the Shusaku fuseki when this happens.

Click Here To Show Diagram Code
[go]$$Bc Move 5 - Prisoners: B=0, W=0
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . a . . . . . . |
$$ | . . . , . . . . . , . . b . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I considered a tight, severe pincer at 'a' or 'b' here, but I can't be sure to get sente after that, and the empty corner is big. That empty corner also is in the direction that the 5-4 stone wants to develop. So I want to take the empty corner in a single move like the 3-3 or 4-4. I'm picking the 4-4 because all my other stones are aimed towards territory, and I want to maintain the balance of power on the board. With his latest, White has essentially played a diagonal 4-4 and 5-4 fuseki. The onus is on him to prove that he can make the influential nature of these two corners work together. My 4-4 point should make that difficult.

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 Post subject: Re: Big Brother Malkovich #2
Post #25 Posted: Tue Jun 08, 2010 11:30 am 
Gosei
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I think I'll play this:
Click Here To Show Diagram Code
[go]$$Bc Enclose the corner
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . B . . . . . , . . . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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 Post subject: Re: Big Brother Malkovich #2
Post #26 Posted: Tue Jun 08, 2010 8:35 pm 
Judan
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Click Here To Show Diagram Code
[go]$$Bc Move 5 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . C . . . . . , . B . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


While I sympathize with younger brother's desire to grab the open corner, the damage done to the corner that we already have outweighs it.

Click Here To Show Diagram Code
[go]$$Bc Move 5 - Prisoners: B=0, W=0
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . B . . . . . , . . . . O , X . . |
$$ | . . . . . . . . . . . . . . . . a . . |
$$ | . . . . . . . . . . . . . . . b . . . |
$$ | . . . . . . . . . . . . . . . c . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . e . . . |
$$ | . . . O . . . . . , . . . . . d . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


White has several good follow-up moves, 'a' through 'c'. All of these seriously harm the corner, and because white has the ladder breaker in the lower left and the first move here, most variations favor white.
Furthermore, when the smoke clears, white probably has a presence on the upper right side. This means that the fact that our lower right corner is low becomes a problem. If we were at 'd' it might not be so bad. But as it is, if white comes out of the upper right with sente, then 'e' is beautiful move for white.

The move I chose gets as close as possible to the open corner, while still playing a tough joseki for white.

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 Post subject: Re: Big Brother Malkovich #2
Post #27 Posted: Tue Jun 08, 2010 9:23 pm 
Gosei
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I can't agree with Joaz's last play - the difference between pincering and taking the open corner is strictly preference and not a matter of right/wrong. To spend a correction token already on it seems excessive to me; Aphelion's play is just as fine as Joaz's in my book. 'a' through 'b', and most definitely 'c' (in fact if White were to play 'c', the best play for Black would be to once again play elsewhere - learned from a Cho Hye-yeon lecture) do not "seriously harm" R16.


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 Post subject: Re: Big Brother Malkovich #2
Post #28 Posted: Tue Jun 08, 2010 9:26 pm 
Lives in gote
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Araban wrote:
I can't agree with Joaz's last play - the difference between pincering and taking the open corner is strictly preference and not a matter of right/wrong. To spend a correction token already on it seems excessive to me; Aphelion's play is just as fine as Joaz's in my book. 'a' through 'b', and most definitely 'c' (in fact if White were to play 'c', the best play for Black would be to once again play elsewhere - learned from a Cho Hye-yeon lecture) do not "seriously harm" R16.

I agree. It seems really early for this type of correction (of course I didn't post this until someone much higher in rank than me said something...what a coward). ;)

And wasn't Joaz just talking a while ago about getting W to use up all (or a bunch) of their change "tokens" so they could be at an advantage later in a big fight?

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 Post subject: Re: Big Brother Malkovich #2
Post #29 Posted: Wed Jun 09, 2010 3:45 am 
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I'm a little surprised that Joaz changed my move, I thought that when you have a one stone vs one stone situation in the corner, its not urgent and it is always valid to take the empty corner. The good thing is, this move actually brings the game to more familiar ground for me - I am pretty alien to 5-4 joseki, whereas this pincer is something I play fairly often in my own games. I suspect that Joaz thinks dictating the direction of play here is worth more. Maybe he thinks there's a chance we can get sente out from this pincer?

The problem is, I think this sequence (which I expect to happen) leaves White with sente for the remaining corner:

Click Here To Show Diagram Code
[go]$$Bc Expected sequence
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . 0 . . 8 . . |
$$ | . . . , . . . . . , . 1 . . O 6 X . . |
$$ | . . . . . . . . . . . . . 4 3 . 9 . . |
$$ | . . . . . . . . . . . . . . 5 . 7 . . |
$$ | . . . . . . . . . . . . . . . 2 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Click Here To Show Diagram Code
[go]$$Bc Continued..
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . O . . O . . |
$$ | . . . 2 . . . . . , . X . . O O X . . |
$$ | . . . . . . . . . . . . . O X . X . . |
$$ | . . . . . . . . . . . . . . X . X . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . 1 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . 5 . . . . . , . . . |
$$ | . . . . . 3 . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


If the top right pans out like this is what I would aim at. I don't think White can really pincer :b3: because there isn't a good direction for him to block the 3-3. I don't think this situation is bad for black, :b1: and :b5: both work well with my lower right corner. However, I am a little miffed that White gets to both establish a solid group on the top right while still getting to play in the empty corner. I feel that White's opening, while not wrong, was a little awkward because his D-4 stone was in the diagonal corner from his approach. I want to preserve that awkwardness for him as long as possible. So if at all possible I will try to emerge with sente after this corner sequence on the top right.

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 Post subject: Re: Big Brother Malkovich #2
Post #30 Posted: Wed Jun 09, 2010 5:31 am 
Gosei

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schultz wrote:
I agree. It seems really early for this type of correction (of course I didn't post this until someone much higher in rank than me said something...what a coward). ;)

And wasn't Joaz just talking a while ago about getting W to use up all (or a bunch) of their change "tokens" so they could be at an advantage later in a big fight?

Based on Joaz's correction frequency in the other Big Brother game, I had a feeling that he would not get to make use of that strategy :)

I agree that using up a correction on this seems pretty weird, but it's not clear to me just how costly corrections are in this game (as opposed to the 2 points they cost in the other game).

It's also worth keeping in mind that this could head into complicated joseki territory that could require a lot more corrections in the future...

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Post #31 Posted: Wed Jun 09, 2010 7:35 am 
Gosei
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dfan wrote:
schultz wrote:
I agree. It seems really early for this type of correction (of course I didn't post this until someone much higher in rank than me said something...what a coward). ;)

And wasn't Joaz just talking a while ago about getting W to use up all (or a bunch) of their change "tokens" so they could be at an advantage later in a big fight?

Based on Joaz's correction frequency in the other Big Brother game, I had a feeling that he would not get to make use of that strategy :)

I agree that using up a correction on this seems pretty weird, but it's not clear to me just how costly corrections are in this game (as opposed to the 2 points they cost in the other game).

It's also worth keeping in mind that this could head into complicated joseki territory that could require a lot more corrections in the future...


I don't know, while Joaz has used a fair number of corrections in my BB game, I think Topazg used even more. Also, from my understanding of Topazg both as a player and from his comments here, I imagine he's going to try to use his corrections for big and early 'direction of play'-type strategic issues. I think by the time 100 moves have passed, Topazg will have used more corrections than Joaz, though only by about 5 or so. We'll see if I'm wrong!

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 Post subject: Re: Big Brother Malkovich #2
Post #32 Posted: Wed Jun 09, 2010 8:12 am 
Gosei
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Click Here To Show Diagram Code
[go]$$Bc Move 6 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . W . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I'm tempted just to take the other corner, but am not sure if that won't leave us too much at a disadvantage in this corner. I really wasn't expecting Joaz's correction here.
I'm also not sure if my move is joseki, since I don't usually check senseis or joseki dictionaries during games.

If I was to take the open corner, I would play a 5-4 or 5-3 to make an approach from joaz's stone not worth as much.
Click Here To Show Diagram Code
[go]$$Bc Open corner
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . a . . . . . . . . . . . . . . |
$$ | . . . , W . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I'm almost sure my move would get corrected, though, either way I played. :-?

Edit: fixing something in my thoughts.

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Last edited by Phelan on Wed Jun 09, 2010 9:14 am, edited 1 time in total.
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 Post subject: Re: Big Brother Malkovich #2
Post #33 Posted: Wed Jun 09, 2010 8:29 am 
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I've never seen that move before in my life. I obviously need to reinforce my corner some how without strengthening his connection. I'm debating between 'a' and 'b'. 'a' seems solid but I'm wondering if it violates the rule of staying ahead. If topazg approves this I need sometime to think...

Click Here To Show Diagram Code
[go]$$Bc Move 6 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . a . . |
$$ | . . . . . . . . . . . . . . W . b . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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 Post subject: Re: Big Brother Malkovich #2
Post #34 Posted: Thu Jun 10, 2010 5:24 am 
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If Topazg does approve that move, this is my response. I will add my thoughts if this is indeed played out.

Click Here To Show Diagram Code
[go]$$Bc Move 7 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . B . . |
$$ | . . . . . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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 Post subject: Re: Big Brother Malkovich #2
Post #35 Posted: Thu Jun 10, 2010 12:55 pm 
Tengen
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Approved.

I'm torn. I want to get sente, really really badly. If we play this jump, can we ignore Black's followup? Probably, we're quite light, but how bad are the followups.. If we already had a stone in the top right I'd definitely play the one point jump, and look to pincer the top edge stone and attack as follows:

Click Here To Show Diagram Code
[go]$$Wcm6 Move 6 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . 8 . |
$$ | . . . . . . . . . . . . . . . 7 5 6 . |
$$ | . . . W . . . . 9 , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 1 . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 3 . 4 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


But we don't. So, what does Black do if we pass (read, take the top left)? Keima?

Click Here To Show Diagram Code
[go]$$Wcm6 Move 6 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 5 3 4 . |
$$ | . . . 1 . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . 6 . |
$$ | . . . . . . . . . . . . . . . 2 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


This looks kind of bad. However, with the two point in play this feels like it sort of works:


Click Here To Show Diagram Code
[go]$$Wcm6 Move 6 - Prisoners: B=0, W=0 Corrections: B=9, W=10
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . 8 . |
$$ | . . . . . . . . . . . . . . . 7 5 6 . |
$$ | . . . 3 . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . 9 4 . 2 . . |
$$ | . . . . . . . . . . . . . . 1 . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I'm not saying this is going to happen. But it feels possible, and the one point jump would be heavier to tenuki from without playing out the full joseki. I'll think about which top left corner point I want.

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 Post subject: Re: Big Brother Malkovich #2
Post #36 Posted: Fri Jun 11, 2010 7:59 am 
Judan
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Aphelion wrote:
If Topazg does approve that move, this is my response. I will add my thoughts if this is indeed played out.


@Aphelion: so it is still your move?

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 Post subject: Re: Big Brother Malkovich #2
Post #37 Posted: Sat Jun 12, 2010 4:30 am 
Gosei
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I think you have to approve his move now. But he should post his thoughts first, maybe?
I don't know if I'll be able to make a move before tuesday/wednesday afternoon because of an exam.

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Good Go = Shape.
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 Post subject: Re: Big Brother Malkovich #2
Post #38 Posted: Sat Jun 12, 2010 7:47 am 
Judan
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Phelan wrote:
I think you have to approve his move now. But he should post his thoughts first, maybe?...


Yes, that was my point. I'd like to see where he is heading with this move, rather than just the move itself.

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 Post subject: Re: Big Brother Malkovich #2
Post #39 Posted: Sat Jun 12, 2010 2:03 pm 
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Sorry about the down time, I'm on a roadtrip where Internet access has been flaky. This might be the last time I make a move before Wednesday. I'm still playing that move, these are some ideas I have:

Since we didn't tenuki to the open corner previously, its certainly not consistent to tenuki now. If White gets another move at the corner the marked exchange will start looking pretty bad for us. Furthermore, the whole idea was to put pressure on the white approach stone with our pincer, if we tenuki not only will White settle magnificently, it is us who will have to leave small in the corner:

Click Here To Show Diagram Code
[go]$$Bc Yuck -c Marked exchange looks horrible
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 4 2 3 . |
$$ | . . . 1 . . . . . , . B . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . 6 . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . W . 5 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


As to the actual white move, it feels...odd. However, I don't think it is a bad move as it gets out while treating the original stone lightly. White is clearly trying to set up a tenuki to the open corner now. The key weakness is its weak connection. My key goal is to reinforce my corner (which is under pressure) while not letting White fix his weakness easily. This rules the contact move at 'a' out, and I'm certainly not going to try to peep that shape prematurely. 'b' is also a vulgar move that not only does nothing against his stones, but even were he to respond the 'a' - 'b' exchange would just helping White strengthen himself. So the only moves I really considered are 'c' and 'd'.

Click Here To Show Diagram Code
[go]$$Bc Moves to consider
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . a b . . . |
$$ | . . . , . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . c . . |
$$ | . . . . . . . . . . . . . . O . d . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


'd' is the first instinct, as prevents myself getting sealed in while keeping abreast of white. However, the problem with this move is that it feels thin to me. If I expect White to tenuki this shape, then this thinness will mute the severeness of any follow up I might have because White can make forcing moves against my stones. For example, the simple attempt to cut will expose my weakness:

Click Here To Show Diagram Code
[go]$$Wc Can't cut with 2 pt extension
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 1 . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 2 3 . . . |
$$ | . . . . . . . . . . . . . . O . X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]





The one point jump is far more solid and makes the cut possible if White tenukis:

Click Here To Show Diagram Code
[go]$$Bc More solid position letting me cut
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 3 . . . . . , . X . . O , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 5 . 1 . . |
$$ | . . . . . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Although I am still "behind" White. White cannot forcibly seal me in because of the weakness in his position. I don't think me trying to cut is a good move right away, but it is something I can aim for if I manage to establish a stronger position on the top side. I am fairly certain that White will tenuki to the empty corner after my move, and depending on the way he does it I might be able to establish a more solid position on top. My goal right now is not to obsess over his 2 stones, but try to get stones on both the right and top in the natural flow of the fuseki. When the time presents itself, I may either choose to cut or attack those two stones on a far larger scale.

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 Post subject: Re: Big Brother Malkovich #2
Post #40 Posted: Wed Jun 16, 2010 3:37 pm 
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I'm back....is the game dead?

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