The high stone, being high, is lighter and can move into the center more easily to escape pressure. 3 space pincers are in general played for balance with the other corner as well, but they still need to have an effect on the fighting in the corner to be a proper pincer. If white plays the outside attachment, for example...
- Click Here To Show Diagram Code
[go]$$Wc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . X . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . B . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . O , . . . . . , . . . . 3 , . . . |
$$ | . . . . . . . . . . . . . 4 1 X . . . |
$$ | . . . . . . . . . . . . . . 2 . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
White has the ladder, so he can cut on whichever side he prefers. The marked black stone hasn't really had an effect on this fight, so it's more single purpose. It's also a tad bit farther from the shimari in the upper right than would be considered ideal.
As for the low move:
- Click Here To Show Diagram Code
[go]$$Wc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . X . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . 1 . B . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . O , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------
$$ {LN Q3 R9}[/go]
You'll notice that the white stone lies outside the line between the black stones, so they're not threatening to enclose it, and with the pincer so far away, white isn't really constrained in his action. I've played
above as an example, but it looks easy for white to handle, and black's pincer feels a bit misplaced.
One other thing to consider is that black does have a chinese formation in each case after the pincer, but he's a move behind. As a tewari analysis, if black had played a normal chinese opening, low or high, he wouldn't then take
to make a small extension in the upper right corner. He would follow up by attacking the white stone, looking to build the top and bottom as well as something on the right.