- Click Here To Show Diagram Code
[go]$$W One of KataGo's suggestions
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . O . X . . . . . X . . . . . |
$$ | . X . O . . . . b a . . 7 . . X X . . |
$$ | . . . . . . . . . . . . . . . . . O . |
$$ | . . X O O . . . . . . . X . O . O . . |
$$ | . . B X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . X . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X 6 X . . . . . . . . 2 X O O O . |
$$ | . . . 5 . . . . . . . . . . 1 X X O . |
$$ | . . O . . . . . . . . . . . 3 . . X . |
$$ | . . . . . . . . . . . . . . . 4 X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . O . . . . . O . . O . . . . . . |
$$ | . . . . . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
This is just one of several possible variations (there are multiple almost equally good candidates at nearly every move; in particular, black could tenuki instead of playing this
). I mean it to illustrate "AI style" (or possibly "contemporary human style after the influence of AI"), not necessarily best play. To my amateur eye, you toss in
and
to create some aji for future fun, play a forcing move at
(makes sense: after black has played the marked stone, you don't want to force from the other side), then start a new fight at the top. And depending on black's reply to
, you might continue the fight at the top, or come back and move out from
, or there are a few other options...