Hmmmm, magicwand has tenuki'd. Did he realise the double hane was a blunder, or was my move bad? I still think his move was just overplay, but I really want to know what he's thinking. I'm going to take "a" below as soon as I get my move, because it's sente, it can't be aji-keshi as there's no real aji there any more, and if Black connects it's mean and nasty. I still think "b" is a good followup, and settles White completely. magicwand's latest move just looks like aji-keshi to me. Sure, there's not much going locally there at the moment, but if doesn't make sense unless White wants to push at "c", which
really seems aji-keshi, as I want "d" later.
$$Bcm37 Move 38 Prisoners White 0 Black 1
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$$ | . . . . . X . . . . . . . . . . d . . |
$$ | . . . O . . . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . c X . . |
$$ | . . . . . . . . . O . X . O . O W . . |
$$ | . . . O . . . . . . . . . . X O X . . |
$$ | . . . , . . . . . X . . . . . O X . . |
$$ | . . O . X . . . . . . . X . O . X . . |
$$ | . . . . . . . . . . . . X O . . . . . |
$$ | . . . . . . . . . . . X . X O . . . . |
$$ | . . . . . . . . . . . O X a O . X . . |
$$ | . . . . . . . . . . . . O X . b . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
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[go]$$Bcm37 Move 38 Prisoners White 0 Black 1
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . . . . . . . . . . d . . |
$$ | . . . O . . . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . c X . . |
$$ | . . . . . . . . . O . X . O . O W . . |
$$ | . . . O . . . . . . . . . . X O X . . |
$$ | . . . , . . . . . X . . . . . O X . . |
$$ | . . O . X . . . . . . . X . O . X . . |
$$ | . . . . . . . . . . . . X O . . . . . |
$$ | . . . . . . . . . . . X . X O . . . . |
$$ | . . . . . . . . . . . O X a O . X . . |
$$ | . . . . . . . . . . . . O X . b . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Either he played a trick play that didn't work out because Black cuts, or he wanted me to connect. I'm having a look at the one variation that I didn't really analyse, but I can't find any way of liking it:
$$Bcm35 Move 34 Variations (I)
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . . . . . . . . . . . . . |
$$ | . . . O . . . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . . . . . . . O . X . O . O . . . |
$$ | . . . O . . . . . . . . . . X O X . . |
$$ | . . . , . . . . . X . . . . . O X . . |
$$ | . . O . X . . . . . . . X . O . X . . |
$$ | . . . . . . . . . . . . X O . . . . . |
$$ | . . . . . . . . . . . X O W . . . . . |
$$ | . . . . . . . . . . 2 O X . O . X . . |
$$ | . . . . . . . . . . . . 1 . . . . . . |
$$ | . . . O . . . . . , . . . 3 . , . . . |
$$ | . . . . . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------
- Click Here To Show Diagram Code
[go]$$Bcm35 Move 34 Variations (I)
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$$ | . . . . . X . . . . . . . . . . . . . |
$$ | . . . O . . . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . . . . . . . O . X . O . O . . . |
$$ | . . . O . . . . . . . . . . X O X . . |
$$ | . . . , . . . . . X . . . . . O X . . |
$$ | . . O . X . . . . . . . X . O . X . . |
$$ | . . . . . . . . . . . . X O . . . . . |
$$ | . . . . . . . . . . . X O W . . . . . |
$$ | . . . . . . . . . . 2 O X . O . X . . |
$$ | . . . . . . . . . . . . 1 . . . . . . |
$$ | . . . O . . . . . , . . . 3 . , . . . |
$$ | . . . . . . . . . O . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
$$Bcm35 Move 34 Variations (II)
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$$ | . . . . . X . . . . . . . . . . . . . |
$$ | . . . O . . . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . . . . . . . O . X . O . O . . . |
$$ | . . . O . . . . . . . . . . X O X . . |
$$ | . . . , . . . . . X . . . . . O X . . |
$$ | . . O . X . . . . . . . X . O . X . . |
$$ | . . . . . . . . . . 9 . X O . . . . . |
$$ | . . . . . . . . . . . X O W . . . . . |
$$ | . . . . . . . . . . 3 O X . O . X . . |
$$ | . . . . . . . . . . 5 4 1 . . . . . . |
$$ | . . . O . . . . . , 7 6 . . 2 , . . . |
$$ | . . . . . . . . . O . 8 . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------
- Click Here To Show Diagram Code
[go]$$Bcm35 Move 34 Variations (II)
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$$ | . . . . . X . . . . . . . . . . . . . |
$$ | . . . O . . . . . X . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . . . . . . . O . X . O . O . . . |
$$ | . . . O . . . . . . . . . . X O X . . |
$$ | . . . , . . . . . X . . . . . O X . . |
$$ | . . O . X . . . . . . . X . O . X . . |
$$ | . . . . . . . . . . 9 . X O . . . . . |
$$ | . . . . . . . . . . . X O W . . . . . |
$$ | . . . . . . . . . . 3 O X . O . X . . |
$$ | . . . . . . . . . . 5 4 1 . . . . . . |
$$ | . . . O . . . . . , 7 6 . . 2 , . . . |
$$ | . . . . . . . . . O . 8 . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
I'd love everyone 4d+ to say whether a) the double hane was overplay, and b) whether my mistake was simply wrong irregardless of the quality of the double hane (i.e. now it has been played White must connect even though it's
still not that great for White). I can see we have a comment from unkx80 (but not necessarily on my move), but Bill? Araban? Shapenaji? This sort of position comes a lot with me, and I know I have a habit of sacrificing single stones when I shouldn't, so I'll be keen to read all the feedback when the position resolves
