I saw an interesting move in a game that Aguilar played the other day.
The board looks like this. Black had just played the upper-left shimari:
- Click Here To Show Diagram Code
[go]$$ Position at move 37
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . X . . . . . |
$$ | . . . X . . . . . , . . . . . X . X . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . O , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . O . . . . . |
$$ | . . . . . . . . . . X . . . O . . . . |
$$ | . . O , X . X . . , . . O O X O O O . |
$$ | . . . O O X . . . . X . O X X X X O . |
$$ | . . . . . . . . . . . . O O X . . X X |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ ---------------------------------------[/go]
Where to play next? The left is all low, and both black and white have a toehold, so although there's going to be fighting there, it's not time yet. But on the top, Black has a 9-space gap, and one of the stones is high. So White should be able to either approach the hoshi, or just wedge in there. If White wedges, Black can't prevent White from getting a 2-space extension. So far so good.
However, a 2-space extension really doesn't look all that good for White:
- Click Here To Show Diagram Code
[go]$$W Moves 38 to 40
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 4 . . . . . . . . . . . . . . . |
$$ | . . . . . 3 . . 1 . 2 . . X . . . . . |
$$ | . . . X . . . . . , . . . . . X . X . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . O , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . O . . . . . |
$$ | . . . . . . . . . . X . . . O . . . . |
$$ | . . O , X . X . . , . . O O X O O O . |
$$ | . . . O O X . . . . X . O X X X X O . |
$$ | . . . . . . . . . . . . O O X . . X X |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ ---------------------------------------[/go]
If White played like this, his 2-point jump would be undercut immediately. Black has stones he can run to on either side, so White can't prevent Black from jumping in. White has a presence, yes, but no eyespace.
But that's not what White does. He plays like this:
- Click Here To Show Diagram Code
[go]$$W Moves 38 to 40
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . 3 . . . . . . . . . . . . . . |
$$ | . . . . . . . . 1 . 2 . . X . . . . . |
$$ | . . . X . . . . . , . . . . . X . X . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . O , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . O . . . . . |
$$ | . . . . . . . . . . X . . . O . . . . |
$$ | . . O , X . X . . , . . O O X O O O . |
$$ | . . . O O X . . . . X . O X X X X O . |
$$ | . . . . . . . . . . . . O O X . . X X |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ ---------------------------------------[/go]
He makes a 3-point extension onto the second line! I've seen this 3-point extension before, with the order reversed: the second-line play serving as an approach, and when the opponent defends, to play the 3-point jump. (I may have even seen a 4-point jump from the approach, treating the approach stone lightly. Of course, with the order reversed, you give the opponent the option to hem you in and let you live small in the corner instead.)
This stone looked a bit floppy to me at first: normally you can either split the very large knight's move, or you can live under it. However, the normal sequence doesn't work here, because it's the second line:
- Click Here To Show Diagram Code
[go]$$B Moves 38 to 40
$$ ---------------------------------------
$$ | . . . . . . 7 . . . . . . . . . . . . |
$$ | . . . . O 5 2 3 . . . . . . . . . . . |
$$ | . . . . . 6 1 4 O . X . . X . . . . . |
$$ | . . . X . . 8 . . , . . . . . X . X . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . O , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . O . . . . . |
$$ | . . . . . . . . . . X . . . O . . . . |
$$ | . . O , X . X . . , . . O O X O O O . |
$$ | . . . O O X . . . . X . O X X X X O . |
$$ | . . . . . . . . . . . . O O X . . X X |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ ---------------------------------------[/go]
And Black would be trapped. So this 3-point jump is not alive yet, but it's at least safe from that.
Of course, this 3-point jump isn't free. Black got 2 types of compensation.
First, the white stones are so low that Black was able to get a lot of thickness above:
- Click Here To Show Diagram Code
[go]$$W Moves 40 to 45
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 2 1 5 . . . . . . . . . . . . . |
$$ | . . . . 4 3 . . O . X . . X . . . . . |
$$ | . . . X . 6 . . . , . . . . . X . X . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . O , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . O . . . . . |
$$ | . . . . . . . . . . X . . . O . . . . |
$$ | . . O , X . X . . , . . O O X O O O . |
$$ | . . . O O X . . . . X . O X X X X O . |
$$ | . . . . . . . . . . . . O O X . . X X |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ ---------------------------------------[/go]
The other compensation that Black got was that although there's definitely space for one eye under there, there's not really room for two. White had to run for life, and eventually connected out to the stones on the right side. If White didn't have stones on the right, perhaps he shouldn't have played this way at all. But there's a big difference between running with no eyes and running with one eye. I'll definitely want to remember this move.