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Re: The Rules of Baduk
Posted: Tue Jan 11, 2011 3:37 pm
by HermanHiddema
Go, Weiqi, Baduk
diff'rent names, all the same rules.
Or not? Ask Robert.
Re: The Rules of Baduk
Posted: Thu Jan 13, 2011 9:18 pm
by Joaz Banbeck
Grab the white bowl first.
The stones in it are stronger.
( Unless I use them )
Re: The Rules of Baduk
Posted: Thu Jan 13, 2011 10:08 pm
by Apoah
Should I fill this peep?
Surely it can't cause much harm
Then later: Damn it!
Re: The Rules of Baduk
Posted: Thu Jan 13, 2011 10:59 pm
by jts
Mid January
What did I resolve? Oh well -
I can still play thin
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 3:06 am
by HermanHiddema
Six inch kaya board,
slate and shell, keyaki bowls.
Ten kyu forever
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 3:54 am
by RobertJasiek
Many of you use a three-row poem-like form. Does this have a name and requirements for its form?
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 3:59 am
by HermanHiddema
RobertJasiek wrote:Many of you use a three-row poem-like form. Does this have a name and requirements for its form?
As per the specification of the first post, people are using
Haiku. (See also the wikipedia page on
Haiku in English)
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 4:44 am
by RobertJasiek
Ah, I read as creative writing what was declaration:) Let me try:
Infinite universe
Black and white
Shared in peace
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 4:56 am
by robinz
Robert, did you actually read what a haiku was? The 3 lines have to contain respectively 5,7 and 5 syllables - yours has 6, 3 and 3.
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 4:59 am
by topazg
I notice people aren't following the 17 mora thing - is that generally deprecated or just not worth the hassle?
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 5:17 am
by topazg
robinz wrote:Robert, did you actually read what a haiku was? The 3 lines have to contain respectively 5,7 and 5 syllables - yours has 6, 3 and 3.
Are you sure this is true? Firstly, I'm certain they are syllable-weights, or mora, rather than syllables. So "hello" has 3 because of the long "o" (short syllables have one, long syllables have two, more or less). So it's normally 17 of these rather than 17 syllables.
Secondly, I also understood that 5, 7 and 5 are not rigid rules, just traditionally most common. There are plenty of examples of Japanese Haiku that don't adhere to this (maybe it's the equivalent of splitting infinitives?)
EDIT: e.g. random example:
Harleqin wrote:When the board now looks
like anytime before this,
your move was not right.
When (1) the (1) board (2) now (2) looks (1) -- 7
like (2) anytime (4) before (3) this (1) -- 10
your (2) move (2) was (1) not (1) right (2) -- 8
So this becomes 25 mora as opposed to 17?
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 5:42 am
by RobertJasiek
robinz wrote:Robert, did you actually read what a haiku was?
I even read how it is in English and that there counts are not followed strictly, if at all, except maybe for the upper limit 17. Poem formalism kills contents and spirit.
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 5:43 am
by robinz
OK, this is getting a bit too technical for me now with regards to language
I've always regarded haiku in English as being lines of specifically 5, then 7, then 5
syllables (I'm not quite sure what a "mora" is), which the example you quoted from Harleqin fits (as do all the others in this thread, as far as I can see). I'm sure that this form can be changed if you're after actual literary merit, but just as a pure bit of linguistic fun I thought the 5/7/5 syllable pattern was fairly universal

Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 6:06 am
by topazg
robinz wrote:OK, this is getting a bit too technical for me now with regards to language
I've always regarded haiku in English as being lines of specifically 5, then 7, then 5
syllables (I'm not quite sure what a "mora" is), which the example you quoted from Harleqin fits (as do all the others in this thread, as far as I can see). I'm sure that this form can be changed if you're after actual literary merit, but just as a pure bit of linguistic fun I thought the 5/7/5 syllable pattern was fairly universal

IIRC, it's a convention in normal English to use 17 syllables, but it's a misinterpretation and not correct with respect to traditional Japanese Haiku, which are supposed to have 17 mora (moras?, morae?).
The 5/7/5 is a lot more flexible, here are some Haiku examples from the Wikipedia page that obey neither rule:
Snow in my shoe
Abandoned
Sparrow's nest -- Jack Kerouac
out of the water
out of itself
bass
picking bugs
off the moon -- Nick Virgilio
an icicle the moon drifting through it -- Matsuo Allard
When I try to do them, I try to adhere to mora rather than syllables, I try to adhere to 3 lines, have some ambiguity, and try to have what I interpret to be a cutting word. However, being too prescriptive I think is the equivalent of "White 8 is bad"

EDIT: PS Robert, I rather liked yours
Re: The Rules of Baduk
Posted: Fri Jan 14, 2011 6:14 am
by HermanHiddema
RobertJasiek wrote:In the beginning was GoGod.
And GoGod created the universe.
And the universe was an infinite two-dimensional grid.
GoGod regarded the universe and said: "It is good."
And GoGod created two colours - black and white.
GoGod regarded his creation and said: "Everything is equal and it is good."
And he spoke: "Look - this is the universe. Go and share life in peace."
And GoGod knew that all was good.
1997-01-28
Condensed to haiku:
GoGod created all,
Infinite grid, black and white.
Go, share life in peace!