Life In 19x19

Posted: **Mon Sep 19, 2011 3:27 pm**

jts wrote: Is a contact move here not strengthening white unnecessarily?

yes but do you have any other suggestion? i tried to find something but could not find any

Posted: **Mon Sep 19, 2011 3:51 pm**

HermanHiddema wrote: I don't like D17 as an alternative, that is just too heavy for me. It indicates that you want to hang on to the original approach stone, which I don't.

Personally, I would ignore black's diagonal move and play elsewhere with , probably approach the upper right. Black has submitted, no need to play in this corner anymore for now.

i dont see why you call them heavy. many professionals play as below and IMO it is a tight move that is saying "i will not let you have anything"

Click Here To Show Diagram Code: [go]$$Wc Clearly good for white $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . B . . . . X . . . . . . . . . . | $$ | . . X , W . . . . , . . . . . X . . . | $$ | . . 2 1 . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . 3 . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . O , . . . . . , . . . . . , O . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

now compare above with below:
although below is playable i will choose above variation.

Click Here To Show Diagram Code: [go]$$Wc Extra influence for white $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . 2 4 . . . X . . . . . . . . . . | $$ | . . X , 1 . . . . , . . . . . X . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . 3 . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . 5 . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . O , . . . . . , . . . . . , O . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

Posted: **Mon Sep 19, 2011 5:57 pm**

Magicwand wrote:
Araban wrote:
Magicwand wrote:i dont like your knight move because black will push n cut.
Then what about:
$$Wc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . B 2 4 . . X . . . . . . . . . . |
$$ | . . X , O . 3 . . . . . . . . X . . . |
$$ | . . . . . . . 1 . . . . . . . . . . . |
$$ | . . . 5 . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------
Click Here To Show Diagram Code
[go]$$Wc $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . B 2 4 . . X . . . . . . . . . . | $$ | . . X , O . 3 . . . . . . . . X . . . | $$ | . . . . . . . 1 . . . . . . . . . . . | $$ | . . . 5 . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . O , . . . . . , . . . . . , O . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]
I think, as long as White makes flexible shape in this area and prevents moyo possibilities, it is good enough.
It would be wonderful if black plays as above...but if they are strong.. they will not play
if i was black i would play as below..(after few min of thinking but i could not find any other play for black that make sense)
i think below board positon is slightly better for black.
$$Wc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . B . . . . X . . . . . . . . . . |
$$ | . . X , O . . . . . . . 6 . . X . . . |
$$ | . . . . . . . 1 2 4 . . . . . . . . . |
$$ | . . . . . . . 5 3 . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------
Click Here To Show Diagram Code
[go]$$Wc $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . B . . . . X . . . . . . . . . . | $$ | . . X , O . . . . . . . 6 . . X . . . | $$ | . . . . . . . 1 2 4 . . . . . . . . . | $$ | . . . . . . . 5 3 . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . O , . . . . . , . . . . . , O . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]
edit: in Araban's suggestion black is helping settling of akward shape of white. that is why i say stronger player will not play that.

Yes, and I mentioned this:

Of course, Black won't really play , as it is too insipid. Instead, at or J15 looks better, and White can still make a light shape in either cases.

I am certain I have a random Chinese book somewhere that covers variations pertaining to this, such as:

Click Here To Show Diagram Code: [go]$$Wc $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . B . . . . X . . . . . . . . . . | $$ | . . X , O . . . . . . . . . . X . . . | $$ | . . . . . . . 1 2 . . . . . . . . . . | $$ | . . . . . . . 4 3 . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . O , . . . . . , . . . . . , O . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

Click Here To Show Diagram Code: [go]$$Wc $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . B . . . . X . . . . . . . . . . | $$ | . . X , O . . . . 2 . . . . . X . . . | $$ | . . 3 . . . . 1 . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . O , . . . . . , . . . . . , O . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

Fortunately the Chinese opening is very common in pro games (especially nowadays, it is probably the most common opening for Black) so there are plenty of reference games. Unfortunately the approach is not so common

.

Posted: **Mon Sep 19, 2011 11:23 pm**

My 2 yen worth.

Here is some feedback from GoGoD.

Pros normally use the diagonal play early in the fuseki when there is a double wing formation of some kind. A very typical example is below.

Click Here To Show Diagram Code: [go]$$Wc Gu Li - Niu Yutian, 2007 China Weiqi League, 2007-12-15 $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . O . . . | $$ | . . . . . . . . . . O . . O . . X . . | $$ | . . . O . . . . . , . . . . . X . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . 8 . . . . . . . . . . . . X . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . , . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . X . . | $$ | . . . . . . . . . . . . . . c . . . . | $$ | . . . . . . . . . . . . 7 . . . . . . | $$ | . . O . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . a . . 1 b . . | $$ | . . . O . . . . . X . . 5 d 3 , 2 . . | $$ | . . . . . X . . . . . . . 6 4 X . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

In GoGoD there are several hundred examples of the diagonal play at

. Black wants to prevent White from settling easily in the corner. The reply at

is the most common response but there are many others, including "a" through "d" (depending on the surrounding stones, which can be quite different from this example).

In hyperpape's example there is no stone equivalent to K4 above. This means that Black can not easily pressure White and the original diagonal play can be seen as potentially submissive.

In the Chinese fuseki discussed in this thread, there are very few examples in GoGoD of White approaching the 3-4 stone immediately on move 6. There are no cases where White responds with the diagonal play. The closest we come to that is below.

Click Here To Show Diagram Code: [go]$$Wc Yang Shihai - Song Xuelin, 1st Qisheng, 1998-10-20 $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . X . . . . 4 2 . . . | $$ | . . X , 6 . . . . , . . . . 1 , X . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . 3 . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . 7 . . . . . , . . . . . 5 . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . O . . . . . , . . . . . O . . . | $$ | . . . . . . . . . . . . . 8 . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

The left side of hyperpape's full-board diagram (below) is relatively rare in professional play. Pros most often approach low at "a", and are as likely to split the side at "b" as they are to approach high at "c".

Click Here To Show Diagram Code: [go]$$Bc $$ ---------------------- $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . a . . . . . . $$ | . . X , c . . . . X . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . b , . . . . . , . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . X . . . . . , . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ | . . . . . . . . . . . $$ ----------------------[/go]

One way this has arisen is through the following minor variant of the mini-Chinese...

Click Here To Show Diagram Code: [go]$$Wc Xie He - Qiu Jun, 1st Longxing, 2008-04-15 $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . O . . . . . , . . . . . X . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . 2 . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . , . . . . . , . . . . . , 1 . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . 7 . . . . | $$ | . . . . . . . . . . . . . 8 . . 3 . . | $$ | . . . O . . . . . . . . . . . 4 5 . . | $$ | . . . . . . . . . . . . . . . . 6 . . | $$ | . . . O . . . . . X . . . . . , X . . | $$ | . . . . . X . . . . . 9 . 0 . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

or this one...

Click Here To Show Diagram Code: [go]$$Bc Xie Hei - Zhong Wenjing, China Weiqi League, 2008-05-10 $$ --------------------------------------- $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . O . . . . . , . . . . . X . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . 3 . . | $$ | . . . , . . . . . , . . . . . , . . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ | . . . . . . . . . . . . . . . . 2 . . | $$ | . . . . . . . . . . . . . . . 8 . . . | $$ | . . O . . . . . . . . . . . . 6 7 . . | $$ | . . . . . . . . . . . . 0 . . 4 5 . . | $$ | . . . O . . . . . X . . . . . , X . . | $$ | . . . . . X . . . . . . 1 . O . . . . | $$ | . . . . . . . . . . . . . . . . 9 . . | $$ | . . . . . . . . . . . . . . . . . . . | $$ ---------------------------------------[/go]

Life In 19x19

3-4 point high approach diagonal play

Re: 3-4 point high approach diagonal play

Re: 3-4 point high approach diagonal play

Re: 3-4 point high approach diagonal play

Re: 3-4 point high approach diagonal play