I found the Hane Naoki - Eric Lui game interesting with its big moyo posing several tricky positional judgement problems. Eric played black and went for centre infleunce when Hane approach the top, then switched to a territorial move with enclosing the lower right and next expanding the lower side and preventing white's shoulder hit at
a.
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$$ | . . O . . O . . . . . . 4 . . . . . . |
$$ | . . X X . . . . . . . . . . . 2 . . . |
$$ | . . . . . 7 . . . . . . . . . . . . . |
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$$ | . . X . . X . . . . . . . . . . . . . |
$$ | . O . , . . . . . , . . . . . , . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
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$$ | . . X O . . . . . 8 . . . . . . X . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . O , X . . . . a . . . . . X . . . |
$$ | . . . O X . . . X . . . . . 6 . . . . |
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- Click Here To Show Diagram Code
[go]$$Wcm22
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$$ | . . O . . O . . . . . . 4 . . . . . . |
$$ | . . X X . . . . . . . . . . . 2 . . . |
$$ | . . . . . 7 . . . . . . . . . . . . . |
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$$ | . . X . . X . . . . . . . . . . . . . |
$$ | . O . , . . . . . , . . . . . , . . . |
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$$ | . . X O . . . . . 8 . . . . . . X . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . O , X . . . . a . . . . . X . . . |
$$ | . . . O X . . . X . . . . . 6 . . . . |
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struck me as somewhat inconsistent with the moyo plan, though it is undeniably a huge move and works well with

next. However, when watching the game my eye was drawn to the following. I liked this move for its large scale connectivity of the 2 marked black stones, and for preventing black's top left group becoming weak. It's a pretty unconventional opening move, being a 6th line shoulder hit (maybe AlphaGo or Takeymiya style?!), but I think black is happy to build the wall if white pushes at b-g etc. (I would not expected white to push but tenuki) as black's potential in the centre looks better than white's top side, which still has a hole in at
h. The fact that Hane played his next move in this area, at
a, which is a quiet but powerful influence point made me think my idea might not have actually been so crazy after all. What do others think? Is it a good move? Better than Eric's? Or some vague dame rubbish?
$$Bcm27
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$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . O . . . . . . h O . . O . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . O . . O b d f . . . # . . . . . . |
$$ | . . X X . . 1 c e g . . . . . X . . . |
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$$ | . . X . . # . . . . . . . . . . . . . |
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$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . O , X . . . . , . . . . . X . . . |
$$ | . . . O X . . . X . . . . . . . . . . |
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- Click Here To Show Diagram Code
[go]$$Bcm27
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$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . O . . . . . . h O . . O . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . O . . O b d f . . . # . . . . . . |
$$ | . . X X . . 1 c e g . . . . . X . . . |
$$ | . . . . . a . . . . . . . . . . . . . |
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$$ | . . X . . # . . . . . . . . . . . . . |
$$ | . O . , . . . . . , . . . . . , . . . |
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$$ | . . O , X . . . . , . . . . . X . . . |
$$ | . . . O X . . . X . . . . . . . . . . |
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$$ +---------------------------------------+[/go]
When Hane invaded high on the right side, Eric played a shoulder hit which grew the lower side, but at the expense of weakening his top group and his moyo on the top side disappeared and turned into a weakish group, so I didn't like this for black (note the interesting technique of

atari and then hanging connection which one might think of as bad style (helping opponent extend where he wants to), but here the solid extension would leave the vital point peep of q11 behind). I'm not sure what would be better, but my feeling was this problem arose from the inconsistency of going for a large-scale central moyo with

but then switching to a smaller-scale lower side moyo with

and

.
$$Wcm30
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$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . O . . . . . . d O . . O . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . O . . O . . . . . . X . . . . . . |
$$ | . . X X . . . . . . . . . . . X . . . |
$$ | . . . . . O . . . . . . . . . . . . . |
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$$ | . . X . . X . . . . . . a . c . . . . |
$$ | . O . , . . . . . , . b 8 7 . , . . . |
$$ | . . . O . . . . . . . . 9 4 3 1 . . . |
$$ | . . . . . . . . . . . . . 0 2 5 . . . |
$$ | . . . . . . . . . . . . . . 6 . . . . |
$$ | . . X O . . . . . X . . . . . . X . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . O , X . . . . , . . . . . X . . . |
$$ | . . . O X . . . X . . . . . X . . . . |
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$$ +---------------------------------------+
- Click Here To Show Diagram Code
[go]$$Wcm30
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$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . O . . . . . . d O . . O . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . O . . O . . . . . . X . . . . . . |
$$ | . . X X . . . . . . . . . . . X . . . |
$$ | . . . . . O . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X . . X . . . . . . a . c . . . . |
$$ | . O . , . . . . . , . b 8 7 . , . . . |
$$ | . . . O . . . . . . . . 9 4 3 1 . . . |
$$ | . . . . . . . . . . . . . 0 2 5 . . . |
$$ | . . . . . . . . . . . . . . 6 . . . . |
$$ | . . X O . . . . . X . . . . . . X . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . O , X . . . . , . . . . . X . . . |
$$ | . . . O X . . . X . . . . . X . . . . |
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$$ +---------------------------------------+[/go]