OCA's log

Create a study plan, track your progress and hold yourself accountable.
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Re: OCA's log

Post by Sennahoj »

oca wrote:I think one answer is "Common sense" / experience / intuition, but I would like to quantify that, just to help me becoming more confident when ignoring early end game move...

Oca, one heuristic that I think is pretty good and applies in this situation is to avoid playing on the second line in the opening, unless the move directly concerns the life / death of some group
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Re: OCA's log

Post by Knotwilg »

If :w28: was a clicko, then there are five highlights covered in below commentary.

1. When starting a fight, read at least the next two moves
2. when a basic move works, why try something fancy
3. read the ladder
4. avoid self cutting sequences (aka small gaps)
5. cure atari blindness (by paying attention when the board is crowded with stones)

If :w28: was no clicko, you can improve a couple of stones from this move alone.


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Re: OCA's log

Post by oca »

Sennahoj wrote:
oca wrote:I think one answer is "Common sense" / experience / intuition, but I would like to quantify that, just to help me becoming more confident when ignoring early end game move...

Oca, one heuristic that I think is pretty good and applies in this situation is to avoid playing on the second line in the opening, unless the move directly concerns the life / death of some group


Sure... If I do ask myself before each move weither this is really the best place to play right now, that may help me not to play on the second line...
I know that some joseki contains second line move, but I think I should play them only if I understand them.

Here is an example of a move ( :b2: ) in a joseki that I don't understand :

Click Here To Show Diagram Code
[go]$$W what's the purpose of :b2: ?\nwhy not directly :b4: ?\nor even :b2: at :w3: ?
$$ +--------------------
$$ | . . . . . . . . . .
$$ | . . . . 2 . . . . .
$$ | . . O . O X . . . .
$$ | . O O X 1 X . 4 . ,
$$ | . . X O O 3 . . . .
$$ | . X . X . . . . . .
$$ | . . X . . . . . . .
$$ | . . X . . . . . . .
$$ | . . . . . . . . . .
$$ | . . . , . . . . . ,[/go]


[edit]

The whole joseki is :

[/edit]

Knotwilg wrote:If :w28: was a clicko, then there are five highlights covered in below commentary.

1. When starting a fight, read at least the next two moves
2. when a basic move works, why try something fancy
3. read the ladder
4. avoid self cutting sequences (aka small gaps)
5. cure atari blindness (by paying attention when the board is crowded with stones)

If :w28: was no clicko, you can improve a couple of stones from this move alone.



Thanks a lot Knotwilg !

Atari blindness is really a surprise... I really missed that one !
:w28: is a clicko

And now... the truth about :w72:


Click Here To Show Diagram Code
[go]$$Wcm72
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 1 . . . . |
$$ | . . . O O . . . . . . X . . X 2 . . . |
$$ | . . . , X O O . . , O . . . . , X 3 . |
$$ | . . O X X X O . . . . . . . . . . . . |
$$ | . . O . . X O . . . . . . . . . . . . |
$$ | . . X X X . X . . . . . . . . . . . . |
$$ | . . . . O X . X . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , O . . |
$$ | . O X O O O . . . . . . . . . . . . . |
$$ | . X X X X O . . . . . . . . . . . . . |
$$ | . . X . X O . . . . . . . . . . . . . |
$$ | . . X . X O . . . . . . . . . O O . . |
$$ | . X . X O O . . . . . . . . . O X . . |
$$ | . X X , X O . . . , . . . . . , X . . |
$$ | . . X X O O . . . O . X . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]


So would you say :

a) This is a strong secret move I saw in an old book
b) I wanted to try a sequence on the shimari but placed my stone under the wrong shimari stone... (and then cannot resist to play the move I wanted to play in the first place at :w74: even if that is a non sense after :b73:)
c) It's not me... it is my cat who played this strange move

Answer :

I wish that was a)... but... this is b) of course...
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to the gobook format. last updated april 2015 - Index of shapes, p.211 / 216
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Re: OCA's log

Post by oca »

So here is my checklist for now...

[Thanks Knotwilg]

1. When starting a fight, read at least the next two moves
2. when a basic move works, why try something fancy
3. read the ladder
4. avoid self cutting sequences (aka small gaps)
5. cure atari blindness (by paying attention when the board is crowded with stones)

[/Thanks Knotwilg]

[a few addition where I'm still doing bad]

6. Is the move a self atari
7. Can the opponent directly kill the whole group right after my play
8. can my opponent "broke my shape"
9. Is there a very painful cut
10. Is the move too small or too slow
11. if invading, does the invasion have a single chance to succed ? or is it dead from start...
12. does the move looks strange ? would I be surprised to see that move in a book ?

[/a few addition where I'm still doing bad]

Example of 6. played that week :roll:
Click Here To Show Diagram Code
[go]$$Wc
$$ +---------------------------------------+
$$ | . . . . . . . . . O . . . . . . . . . |
$$ | . . . O X . . . X O . . . . . . . . . |
$$ | . . . O X . X . . X O . O O X . . . . |
$$ | . . O , O X . . . X O O X X 1 X . . . |
$$ | . . X . O X . . . X O X . 2 O X . . . |
$$ | . . . O . O X . . . O X . O . X X X . |
$$ | . . . . . O X . X . O X . . . O X O O |
$$ | . . . . . . O . . X O X . O . O O . . |
$$ | . . . O . . . . X O O X X . . . . X . |
$$ | . . . , . . . . . O . O . X . X . O . |
$$ | . . O X . . . . . . . . . . . . X X . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . O . X . . . . . . . . . . . . . . |
$$ | . . . . X O X . . . . . . . . X . . . |
$$ | . . O , O X . . . X . . . . . , . . . |
$$ | . . . . O X . X X . O . . O . X . . . |
$$ | . . . . . O . O O . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]


I'm the author of :b2: :clap:



Example of 7. played that week too :-?
Click Here To Show Diagram Code
[go]$$Bc
$$ +---------------------------------------+
$$ | . . . O . . . O X . X . . . . . . O . |
$$ | . O O X O . . O O X . . . . O O X X O |
$$ | . O X X O O . . . O X X X O . X . . X |
$$ | . O X X . X O O . O X O X X . X X X . |
$$ | . . O X . X X X O . O O O X . . . . . |
$$ | . . O X . . . . O . O X X . . . X . . |
$$ | . O . O X . . O O . . . . . . . . . . |
$$ | O . . O X . O . . O . . X X . . . . . |
$$ | X O O O X X O . O . O O O O X . . . . |
$$ | X X X X X O X O . O X O . O . X . . . |
$$ | . . X . . . X O . X X O O . . X X X . |
$$ | X X Q X X X X O O X X X O . O X O O X |
$$ | X Q Q X O O O O X . X X O . O O . O . |
$$ | O . Q Q X X . X X X . X X O . O . . O |
$$ | . 3 Q X . X X X O O X X X X O . O O . |
$$ | . O 1 X X X O O O , X O O O O O O X . |
$$ | . 2 O O X O . . . O O X . O X X X X . |
$$ | . O O O X O O O . . . O . O X . . . . |
$$ | . X X X X X X O . . . . O X X . . . . |
$$ +---------------------------------------+[/go]


what a nice :w2: :cry:
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to the gobook format. last updated april 2015 - Index of shapes, p.211 / 216
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Re: OCA's log

Post by Amelia »

Shortage of liberties can be mean. You're not alone here :lol:
Don't forget to count the liberties :study:

My advice here would be to do many easy problems to train your eyes to see those. Have you ever tried GoChild? https://gochild2009.appspot.com
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ez4u
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Re: OCA's log

Post by ez4u »

oca wrote:Hi Amelia, thanks a lot for your comments :tmbup:

Hi Edlee, I can see that :w24: is the same as :b53: in post 310, both games where played in a row, so I didn't saw your comments before playing that game.
That said, I played yesterday another game which also went to crosscut at :b87:. I still choosed to atari at :w90: :-? (after exchanging :w88: for :b89: ).
I wonder if that was correct to atari this time or if extending (at 'a' ?) would be better in that position too.

So here is the sequence :

Click Here To Show Diagram Code
[go]$$Bcm87
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . X O . . O X X O . X O X . . |
$$ | . 3 X . X O O . . O X O O O O X . X . |
$$ | . 2 . X . O . . . O O X X X O O X X . |
$$ | . . . X O a . . . . X . . . . . . . . |
$$ | . . O O 1 . . . . . . . . . . . X . . |
$$ | . . . . 4 . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . X . X . . . . |
$$ | . . . . . . . . . . . . . O X . . . . |
$$ | . . X , . . . . . , . X X X O X X . . |
$$ | . . . . . . . . . . . O O O O O . . . |
$$ | . . . . . . . . . . O . . . . . . X . |
$$ | . . . . . . . . . . X O O . . . . . . |
$$ | . . . . . . . . . X . X X O O O O . . |
$$ | . . O . . . . . . X . . . X . X . . . |
$$ | . . . , . . O . O O X X . X . X . X . |
$$ | . . . O . . . . . . O O O O . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]


...

What was your plan if Black played 89 at 90?
Dave Sigaty
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Re: OCA's log

Post by Sennahoj »

oca wrote:Here is an example of a move ( :b2: ) in a joseki that I don't understand :

Click Here To Show Diagram Code
[go]$$W what's the purpose of :b2: ?\nwhy not directly :b4: ?\nor even :b2: at :w3: ?
$$ +--------------------
$$ | . . . . . . . . . .
$$ | . . . . 2 . . . . .
$$ | . . O . O X . . . .
$$ | . O O X 1 X . 4 . ,
$$ | . . X O O 3 . . . .
$$ | . X . X . . . . . .
$$ | . . X . . . . . . .
$$ | . . X . . . . . . .
$$ | . . . . . . . . . .
$$ | . . . , . . . . . ,[/go]




If you play :b2: at :w3:, you're pushing from behind + EdLee will come get you :). I think the meaning of :b2: instead of directly :b4: is that if white doesn't respond in the corner, there is a chance that white can be attacked later:

Click Here To Show Diagram Code
[go]$$B
$$ +--------------------
$$ | . . . . . . . . . .
$$ | . 3 . 1 X . . . . .
$$ | . . O 2 O X . . . .
$$ | . O O X O X . X . ,
$$ | . . X O O O . . . .
$$ | . X . X . . . . . .
$$ | . . X . . . . . . .
$$ | . . X . . . . . . .
$$ | . . . . . . . . . .
$$ | . . . , . . . . . ,[/go]


Actually I think black can make the exchange directly before extending. Then we see that :b1: really has a lot of impact on the strength of the two groups --- black is a lot stronger compared with directly extending at :b5:, and white is not completely alive yet because of the weakness at the 2-2 point.

Click Here To Show Diagram Code
[go]$$B
$$ +--------------------
$$ | . . . . . . . . . .
$$ | . . . 3 1 . . . . .
$$ | . . O 4 O X . . . .
$$ | . O O X O X . 5 . ,
$$ | . . X O O 2 . . . .
$$ | . X . X . . . . . .
$$ | . . X . . . . . . .
$$ | . . X . . . . . . .
$$ | . . . . . . . . . .
$$ | . . . , . . . . . ,[/go]
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Post by EdLee »

Sennahoj wrote:If you play :b2: at :w3:, you're pushing from behind + EdLee will come get you :).
Hi oca,

Many people -- even some dan level amateurs --
are confused or trapped by this, so here's more info:
Pushing from behind, by itself, is neutral.
It can be good, neutral, or bad -- it all depends.
If you push from behind in a position and it's good for you, then do it!
If it's bad for you, then don't ! :)

Another trap is sente -- which by itself is neutral.
If a sente move is good for you, play it.
If it's bad for you, then don't! ( Yes, there most certainly are bad sente moves! )

In your first diagram in post 319,
If you play :b2: at :w3: , you also make a broken shape for yourself --
which is yet another trap !

If a broken shape is good for you, make it.
If it's bad for you, then don't! :)

More trap:
If an empty triangle (or any dumpling shape) is good for you, make it.
If it's bad for you, then don't!

So the real trick is to decide when a move is good or bad for you.
Don't get confused by what people call it. :)
Evaluate a move (or a sequence) by what it does, not by what it's called.

Notice I have not said anything about any of your questions about the joseki in question! :)
Other, more knowledgeable people can answer your questions.
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Re: OCA's log

Post by oca »

ez4u wrote:
oca wrote:Hi Amelia, thanks a lot for your comments :tmbup:
Hi Edlee, I can see that :w24: is the same as :b53: in post 310, both games where played in a row, so I didn't saw your comments before playing that game.
That said, I played yesterday another game which also went to crosscut at :b87:. I still choosed to atari at :w90: :-? (after exchanging :w88: for :b89: ).
I wonder if that was correct to atari this time or if extending (at 'a' ?) would be better in that position too.

So here is the sequence :

Click Here To Show Diagram Code
[go]$$Bcm87
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . X O . . O X X O . X O X . . |
$$ | . 3 X . X O O . . O X O O O O X . X . |
$$ | . 2 . X . O . . . O O X X X O O X X . |
$$ | . . . X O a . . . . X . . . . . . . . |
$$ | . . O O 1 . . . . . . . . . . . X . . |
$$ | . . . . 4 . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . X . X . . . . |
$$ | . . . . . . . . . . . . . O X . . . . |
$$ | . . X , . . . . . , . X X X O X X . . |
$$ | . . . . . . . . . . . O O O O O . . . |
$$ | . . . . . . . . . . O . . . . . . X . |
$$ | . . . . . . . . . . X O O . . . . . . |
$$ | . . . . . . . . . X . X X O O O O . . |
$$ | . . O . . . . . . X . . . X . X . . . |
$$ | . . . , . . O . O O X X . X . X . X . |
$$ | . . . O . . . . . . O O O O . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]


...

What was your plan if Black played 89 at 90?


Hi ez4u,

Well, in that case, the plan would be that 90, I suppose I can live, but maybe this will give black too much influence...

Click Here To Show Diagram Code
[go]$$Bcm87
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . X O . . O X X O . X O X . . |
$$ | . . X . X O O . . O X O O O O X . X . |
$$ | . 2 . X . O . . . O O X X X O O X X . |
$$ | . . . X O a . . . . X . . . . . . . . |
$$ | . . O O 1 . . . . . . . . . . . X . . |
$$ | . . . . 3 . . . . . . . . . . . . . . |
$$ | . . 4 . . . . . . . . . X . X . . . . |
$$ | . . . . . . . . . . . . . O X . . . . |
$$ | . . X , . . . . . , . X X X O X X . . |
$$ | . . . . . . . . . . . O O O O O . . . |
$$ | . . . . . . . . . . O . . . . . . X . |
$$ | . . . . . . . . . . X O O . . . . . . |
$$ | . . . . . . . . . X . X X O O O O . . |
$$ | . . O . . . . . . X . . . X . X . . . |
$$ | . . . , . . O . O O X X . X . X . X . |
$$ | . . . O . . . . . . O O O O . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Converting the book Shape UP! by Charles Matthews/Seong-June Kim
to the gobook format. last updated april 2015 - Index of shapes, p.211 / 216