Interesting comments, guys. Thanks.

I renewed my interest in
Okigo Jizai when I ran across another book about openings, both even game and handicap, written in the early 20th century. What struck me was how similar the handicap openings were to most of those that I have seen in more modern books; that is, uninspired, and uninspiring. Black should play conservatively but not too defensively and avoid mistakes. That kind of thing. By contrast, I sense a spirit in Hattori's examples, as though he were asking himself, where would I play? There is a sharpness to the play that I find both refreshing and inspiring. (True, I sometimes think that he is setting up lessons, but that's OK, too.

)
- Click Here To Show Diagram Code
[go]$$Bcm18 Tenuki
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . . . . X . . . . . . |
$$ | . . . , X . . . . , . . . . . X X . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . 1 . . . . . . . . . . . . O . . |
$$ | . . 2 . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . a . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . B . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . 3 . . . . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
In the mini-Chinese example Hattori as Black tenukies.

There is a hint of that with

(

), which gives Black a bit of elbow room. Black is outnumbered locally, 6 stones to 4, both White groups are fairly strong, and Black has no base. It is as though, despite taking a handicap, Black were taunting White. C'mon, do your worst. I dare you!
- Click Here To Show Diagram Code
[go]$$Wcm21
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . . . . X . . . . . . |
$$ | . . . , X . . . . , . . . . . X X . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . . . . . . . . O . . |
$$ | . . O . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . 6 . . . . |
$$ | . . . . . . . . . . . . . . . . 3 . . |
$$ | . . . . . . . . . . . 4 . . . 2 1 . . |
$$ | . . . . . . . . . . . . . X . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . X . . 5 . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
White obliges with the jaw jab at 21.

seems a bit lenient to me, but it is sente, as Black cannot now omit

. Now the Black group has some eye shape.
- Click Here To Show Diagram Code
[go]$$Wcm27
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . 2 . 1 . X . . . . . . |
$$ | . . . , X . . 6 . , . . . . . X X . . |
$$ | . . O . . . . . 5 . 3 . 4 . . . . . . |
$$ | . . . X . . . . . . . . . . . . O . . |
$$ | . . O . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . 7 . . . . . . . . . . . X . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . X . . . X O . . |
$$ | . . . . . . . . . . . . . X . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . X . . O . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

looks funny, as it invites the ideal pincer at 28. However, if White plays on the left side right away Black will stake out a large framework on the top side.

prevents that with sente. Then

takes the last big point of the opening.
Both
-
and earlier
-
prevent the opponent from making an ideal position in sente, at the cost of leaving a weak group behind. There is a lesson there, but it involves judgement and the ability to handle the weak group if attacked. When you are giving a handicap, you usually can trust that you can weather any storm. What is surprising is that Hattori had Black play that way, instead of resting on the lead from the handicap.
- Click Here To Show Diagram Code
[go]$$Bcm34 Leaning attack, plus
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . X . O . X . . . . . . |
$$ | . . . , X . . X . 3 4 . . . . X X . . |
$$ | . . O . . . . . O 5 O . X . . . . . . |
$$ | . . . X . . . . . 6 7 . . . . . O . . |
$$ | . . O . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . 1 2 . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . O . . . . . . . . . . . X . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . X . . . X O . . |
$$ | . . . . . . . . . . . . . X . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . X . . O . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

is a leaning attack against the White stones on the top side, but it also strengthens the Black group in the bottom right. Black does not want to get into a fight which puts that group in jeopardy. Black continues with a push through and cut on the top side.
- Click Here To Show Diagram Code
[go]$$Wcm41
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . X . O . X . . . . . . |
$$ | . . . , X . . X . X O . . . . X X . . |
$$ | . . O . . . . . O X O 3 X . . . . . . |
$$ | . . . X . . . . . O X 1 . . . . O . . |
$$ | . . O . . . . . . . 2 . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . 5 . |
$$ | . . . . . . . . . . . . . . . 4 . . . |
$$ | . . . , . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . O . . . . . . . . . . . X . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . X . . . X O . . |
$$ | . . . . . . . . . . . . . X . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . X . . O . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
White pushes through into the center and then Black continues the leaning attack with

.
- Click Here To Show Diagram Code
[go]$$Bcm46 Black solidifies her gains
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . X . O . X . . . . . . |
$$ | . . . , X . . X . X O . . . . X X . . |
$$ | . . O . . . . . W X O O X . . . . . . |
$$ | . 6 5 X . . . . . W X O . . . . O . . |
$$ | 0 7 O 9 . . . . . . X . . . . O . . . |
$$ | . 8 . . 1 . . . . . . . . . . . . O . |
$$ | . . . 2 3 . . . . . . . . . . X . . . |
$$ | . . . 4 . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . O . . . . . . . . . . . X . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . X . . . X O . . |
$$ | . . . . . . . . . . . . . X . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . X . . O . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Instead of continuing the attack, Black shifts to the left side and center. This exchange strengthens White and yields territory on the side, but it also strengthens Black and makes a territorial framework in the center. The

stones are weakened and have become difficult to save, if not impossible.
This is another lesson from Hattori. The White stones in the top are weak, but Black does not just singlemindedly attack them. Black is flexible. You often see
attackus interruptus in Hattori's examples.
- Click Here To Show Diagram Code
[go]$$Bcm56 Black returns to the attack
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . X . O . X . . . . . . |
$$ | . . . , X . . X . X O . . . . X X . . |
$$ | . . O . . . . . O X O O X . . . . . . |
$$ | . O X X . . . . . O X O . . . . O . . |
$$ | O 2 O X . . . . . . X . . . . O . . . |
$$ | . O 1 . X . . . . . . 3 . . . . . O . |
$$ | . . . O X . . . . . . . . . . X . . . |
$$ | . . . O . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . O . . . . . . . . . . . X . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . X . . . X O . . |
$$ | . . . . . . . . . . . . . X . X . . . |
$$ | . . . X . . . . . , . . O O . , X . . |
$$ | . . . . . . X . . O . . . . . O X . . |
$$ | . . . . . . . . . . . . . . . . O O . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

takes kikashi on the left side and then

resumes the attack against the White stones on the top side. Note that the Black group in the bottom right, which was a liability, has become an asset.

Note also the skillful use of sente, first by Black in the invasion of the mini-Chinese position, then by White on the top side, and then by Black in the exchange on the left side.
