$$Bcm71

$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . X X X . X . . . . O . . O . . X . . |
$$ | . X O O O . . . . , . . . . . X . . . |
$$ | X O O . . . . . . . . . . . . . . . . |
$$ | . X X O . . . . . . . . . . . X . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . O X . O . . . . . . . X X X . . |
$$ | . . X X O O . . . . . . . O X O . . . |
$$ | . . O X X O . . . . . . O . O . . . . |
$$ | . . O . . . 7 . . . . . . . . . . . . |
$$ | . . O X X X 6 X X O . O . . . O . . . |
$$ | . . . O X . 4 O O X O . . . . , X . . |
$$ | . . O . . X . O X X O X . . . X . . . |
$$ | . . . O . . 5 2 1 C X X . . . . . . . |
$$ | . . . . . . . . . 3 . . . . . . . . . |
$$ +---------------------------------------+

$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . X X X . X . . . . O . . O . . X . . |
$$ | . X O O O . . . . , . . . . . X . . . |
$$ | X O O . . . . . . . . . . . . . . . . |
$$ | . X X O . . . . . . . . . . . X . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . O X . O . . . . . . . X X X . . |
$$ | . . X X O O . . . . . . . O X O . . . |
$$ | . . O X X O . . . . . . O . O . . . . |
$$ | . . O . . . 7 . . . . . . . . . . . . |
$$ | . . O X X X 6 X X O . O . . . O . . . |
$$ | . . . O X . 4 O O X O . . . . , X . . |
$$ | . . O . . X . O X X O X . . . X . . . |
$$ | . . . O . . 5 2 1 C X X . . . . . . . |
$$ | . . . . . . . . . 3 . . . . . . . . . |
$$ +---------------------------------------+
- Click Here To Show Diagram Code
[go]$$Bcm71

$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . X X X . X . . . . O . . O . . X . . |
$$ | . X O O O . . . . , . . . . . X . . . |
$$ | X O O . . . . . . . . . . . . . . . . |
$$ | . X X O . . . . . . . . . . . X . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . O X . O . . . . . . . X X X . . |
$$ | . . X X O O . . . . . . . O X O . . . |
$$ | . . O X X O . . . . . . O . O . . . . |
$$ | . . O . . . 7 . . . . . . . . . . . . |
$$ | . . O X X X 6 X X O . O . . . O . . . |
$$ | . . . O X . 4 O O X O . . . . , X . . |
$$ | . . O . . X . O X X O X . . . X . . . |
$$ | . . . O . . 5 2 1 C X X . . . . . . . |
$$ | . . . . . . . . . 3 . . . . . . . . . |
$$ +---------------------------------------+[/go]
Wow, real life eh? Very sorry for forgetting totally all about this. If you don't want to carry on, just say, that's no problem at all. Otherwise, here's my move
Bah humbug, very sorry about this everyone, I'll see if I can at least finish the game. I'm very good at going totally AWOL I'm afraid, and I'm not really a fan of excuses, so I hope an apology is ok.
Regarding this game, even re-reading my notes I can't quite see what I was thinking of here. Nothing really works properly... so I'm blocking here simply because White has to cut, then cut on the other side, and later capture, so even though I'm going to concede the loss of letting him out, I'd rather exchange this move before connecting underneath. I haven't counted the game, it doesn't look as good for Black as I seem to remember thinking it was many months ago, but it looks pretty playable still, even though you may find my ideas and direction may not match what I'd been thinking before I'd left.
If there's any sorts of analysis and comments you want from me (for those still watching), please ask away, otherwise my comments will probably be mostly brief to prevent boring everyone
Regarding this game, even re-reading my notes I can't quite see what I was thinking of here. Nothing really works properly... so I'm blocking here simply because White has to cut, then cut on the other side, and later capture, so even though I'm going to concede the loss of letting him out, I'd rather exchange this move before connecting underneath. I haven't counted the game, it doesn't look as good for Black as I seem to remember thinking it was many months ago, but it looks pretty playable still, even though you may find my ideas and direction may not match what I'd been thinking before I'd left.
If there's any sorts of analysis and comments you want from me (for those still watching), please ask away, otherwise my comments will probably be mostly brief to prevent boring everyone
Addition:
My expectations:
All of this looks pretty much forced, and then saving those stones looks very heavy, so I'm going to do one of "a", "b" or "c" most likely. I may play
@
instead, but then White plays at the circled point and responds to a following
by taking another liberty away from my three stones, and that feels like a poor use of the aji in the above line, so I'm guessing what you see above is what will happen.
$$Bcm77

$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . X X X . X . . . . O . . O . . X . . |
$$ | . X O O O a . . . , . . . . . X . . . |
$$ | X O O . . . . . . . . . . . . . . . . |
$$ | . X X O . . . . . . . . . . . X . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . c . . , . . . |
$$ | . b . O X . O . . . . . . . X X X . . |
$$ | . . X X O O . . . . . . . O X O . . . |
$$ | . . O X X O . 4 . C . . O . O . . . . |
$$ | . . O . . 6 1 2 3 . . . . . . . . . . |
$$ | . . O X X X O X X O . O . . . O . . . |
$$ | . . . O X . O O O X O . . . . , X . . |
$$ | . . O . . X . O X X O X . . . X . . . |
$$ | . . . O . . X O X . X X . . . . . . . |
$$ | . . . . . . . 5 . X . . . . . . . . . |
$$ +---------------------------------------+

$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . X X X . X . . . . O . . O . . X . . |
$$ | . X O O O a . . . , . . . . . X . . . |
$$ | X O O . . . . . . . . . . . . . . . . |
$$ | . X X O . . . . . . . . . . . X . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . c . . , . . . |
$$ | . b . O X . O . . . . . . . X X X . . |
$$ | . . X X O O . . . . . . . O X O . . . |
$$ | . . O X X O . 4 . C . . O . O . . . . |
$$ | . . O . . 6 1 2 3 . . . . . . . . . . |
$$ | . . O X X X O X X O . O . . . O . . . |
$$ | . . . O X . O O O X O . . . . , X . . |
$$ | . . O . . X . O X X O X . . . X . . . |
$$ | . . . O . . X O X . X X . . . . . . . |
$$ | . . . . . . . 5 . X . . . . . . . . . |
$$ +---------------------------------------+
- Click Here To Show Diagram Code
[go]$$Bcm77

$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . X X X . X . . . . O . . O . . X . . |
$$ | . X O O O a . . . , . . . . . X . . . |
$$ | X O O . . . . . . . . . . . . . . . . |
$$ | . X X O . . . . . . . . . . . X . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . c . . , . . . |
$$ | . b . O X . O . . . . . . . X X X . . |
$$ | . . X X O O . . . . . . . O X O . . . |
$$ | . . O X X O . 4 . C . . O . O . . . . |
$$ | . . O . . 6 1 2 3 . . . . . . . . . . |
$$ | . . O X X X O X X O . O . . . O . . . |
$$ | . . . O X . O O O X O . . . . , X . . |
$$ | . . O . . X . O X X O X . . . X . . . |
$$ | . . . O . . X O X . X X . . . . . . . |
$$ | . . . . . . . 5 . X . . . . . . . . . |
$$ +---------------------------------------+[/go]
All of this looks pretty much forced, and then saving those stones looks very heavy, so I'm going to do one of "a", "b" or "c" most likely. I may play
@
instead, but then White plays at the circled point and responds to a following
by taking another liberty away from my three stones, and that feels like a poor use of the aji in the above line, so I'm guessing what you see above is what will happen.