$$Wcm11 Komi: -15; Prisoners:

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- Click Here To Show Diagram Code
[go]$$Wcm11 Komi: -15; Prisoners:

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I think this is natural. Next Black has a turning point. If he tries to separate me with something like "a", I am playing to take sente in order to make shape with "b". I think this is reasonable since the left side is fairly wide. If instead, he plays in with "c", I atari with "d" and after he connects at "b", I consider how to connect/continue.
$$Wcm11 Komi: -15; Prisoners:

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- Click Here To Show Diagram Code
[go]$$Wcm11 Komi: -15; Prisoners:

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?
is an interesting play... for White.
below? This shape where the marked stone and
. OK, now what? I am aiming for something like
, but do I think that I can force with something like
first? Also with this
. I seriously considered
would be reasonable except that the upper left corner has all the aji squeezed out of it. Finally though, I was concerned about what might happen if Black switched
to 5 in the diagram and just kept pushing along on top of White's stones. Black builds a deep valley at the top and if White stops being pushed along and Black hanes on the left, the two White stones on the left might also be isolated.
. I was only thinking about C11.
, and the upper right corner is still open. Right now my main candidate is J14, capping his fourth-line stone. If he reacts on the side, I would most likely follow with a play in the upper right (Q17?). One troubling thought is that I remember Fujisawa Shuko capping a fourth-line stone, probably in one of his old Kisei matches. So again, do I like J14 for all the wrong reasons? Do I imagine good things from the play that are not really there? By the way, I am currently reading